THE ALLURING ATTRACTION OF THE CROSS
"And when they
were come to a place called Calvary, there they
crucified him" (Luke
23:33).
The most significant event in the history of man took place
on the summit of a hill, enacted by one lone figure silhouetted against a
darkened sky as he hung between two thieves on a roughly hewn cross.
Single-handed He was fighting the greatest battle of all ages. A bloodthirsty
mob had cried for His blood in Pilate's judgment hall, which echoed and
re-echoed with the devilish demand, "Let him be crucified -- let his blood
be upon us and upon our children."
Pilate evaded responsibility. He feared the populace. He
washed his hands but he didn't
wash away his guilt.
They took Jesus and placed a heavy cross on His shoulders. They
goaded Him up
Golgotha's brow. Weak and worn, burdened and tortured, He trudged
painfully to the summit. He was raised upon the cross, a crown of thorns upon
His head. A howling mob stood at the base of the cross, hissing and jeering and
crying: "If thou be the Son of God, come down," "He saved
others, himself he cannot save." But Jesus had more important business
that hour than saving Himself. He was saving us.
What a picture? So terrible, yet so
sublime. So awful, yet so grand. So painful,
yet so
productive. At length Jesus
breathed out, "It is finished," and when He did, "the veil of
the temple was rent from top to bottom" Our salvation was completed The
Holy of Holies was wide open for every penitent soul A new moment had come; A
fresh day had dawned. Man was reconciled with God, and his sins were forgiven
The debt and penalty of sin had been paid in full. Yes -- it was the supreme
highlight of all human history.
The cross of Christ does something to you. The cross
attracts the attention, invites the
understanding, allures the emotions, and challenges the
will. One's better self is stimulated in its presence. There comes from the
cross a pull, a tug -- a drawing, some explainable spirit grips one's soul. You
stand transfixed in its presence. It confronts you with purity, goodness, and
truth. The best within you is stirred. Your higher, better nature would clasp
it and accept its Christ as your Saviour.
Dr. Leslie Weatherhead in his recent book, A Plain Man Looks
at the Cross, illustrates this overpowering appeal of the cross as he recounts
the stirring event in London, as a
young girl sings to a sophisticated, critical audience.
The scene is the Queen's Hall. A cultured audience has
gathered to listen to a concert. Here you have not the uncivilized savage
possessing little of culture or education. Rather, you have the West End of
London rolling up in expensive motor cars and stepping from them dressed in
evening clothes. One of the items on the program is a song by a young girl
whose name is unknown. She is making her first appearance before the critical
musical public of London. She
sings, with perfect voice and that artless grace which is the height of art, a
song which she has practiced many hours with her distinguished tutor. At the
end of the song the applause is deafening and continued, and both tutor and
audience demand that she shall sing again. Once again she sings the same song.
It is a long time since the audience has heard anything so
fresh and understanding and
altogether captivating. It is
imperative that she should sing yet again. Hurriedly she and her tutor confer
together. She has arranged to sing only this one song. The tutor was not ready
to risk more. She was to have this one chance only. "What else have you
got?" he asks. From her music case she takes out a song and says simply,
"I should like to sing this to them." She goes to the platform. The
noise and tumult and cheering subside. In perfect stillness she begins:
There is a green hill far away,
Without a city wall,
Where the dear Lord was crucified,
Who died to save us all.
She sings it to Gounod's glorious setting. The effect is
electrical. It is a long time since
many of those who listen have heard any religious message,
and a very long time indeed since they have heard the message of the Cross. The
beautiful voice goes on:
We may not know, we cannot tell,
What pains He had to bear;
But we believe it was for us
He hung and suffered there.
The silence became almost tangible. The tension is almost
more than people can bear, and still the voice goes on:
He died that we might be forgiven,
He died to make us good,
That we might go at last to heaven,
Saved by His precious blood.
No chocolate boxes are passed during that song. No whispered
comments of the singer's
ability are exchanged. That night
in the Queen's Hall, the singer is forgotten by many, in a song which carries
them away on its wings to a lonely hill outside a city, where a Man whose great
loyalty and love nothing could break -- a Man who was all that God could pour
of Himself into a human personality -- hung in anguish on a cross of shame. The
singer goes on:
There was no other good enough
To pay the price of sin;
He only could unlock the gate
Of heaven, and let us in.
There are few dry eyes. Women weep openly, unable to
restrain their tears. Men grip the
seat in front of them, their knuckles
white with the intensity of their grip, their faces strained by the depth of
their emotions. The singer seems almost unconscious of the audience. The
song is so precious to her own heart that she is not singing to please the
audience. She has forgot en it is there. She is
bearing out, through Gounod's music, the adoration of her own heart for the
crucified Lord. So to those final and wonderful notes the young voice travels
on:
Oh dearly, dearly has He loved,
And we must love Him, too,
And trust in His redeeming blood,
And try His works to do.
The soloist forgets to bow. Certainly the audience notices
no omission. There is no
applause -- only a great silence.
So it is in Africa, so in London,
so with the outcasts, so with the educated and civilized, so with men in olden
days, so with modern men and women who are willing to be quiet and to consider.
His words are true, and they are true only of Him: "I, if I be lifted up
from the earth will draw all men unto myself." And when bound to His
cross, He is lifted up before men's eyes, by some strange power which defies
analysis, dying, He brings them life; bound, He brings them liberty; suffering,
He redeems them from the greatest anguish the soul can know, the agony of
hopeless despair; and everlastingly loving He challenges them, and claims them,
and will never let them go until He makes them His forever.
Christ is pulling upon your heart just now. Your better self
is saying: "Give yourself to
Him." Your heart craves for
His word of peace. Your entire being wilts and surrenders in the presence of
the cross of Christ.
On a hill far away stood an old rugged cross,
The emblem of suffering and shame,
And I love that old cross where the Dearest and Best
For a world of lost sinners was slain.
So I'll cherish the old rugged cross,
Till my trophies at last I lay down,
I will cling to the old rugged cross,
And exchange it some day for a crown.
May I inject a bit of personal testimony? When I was a high
school senior, sixteen years of age, I was away from God, burdened and bound by
sin. One night I left the back seat in a church in Everett,
Massachusetts, and walked down the long
aisle and knelt at an old-fashioned altar, confessed my sins and left my burden
at the foot of the cross. Jesus spoke, "Peace," to my troubled heart.
He can do the same for you. When I arose from my knees the people were singing:
Alas! and did my Saviour bleed,
And did my Sov'reign die?
Would He devote that sacred head
For such a worm as I?
At the cross, at the cross where I first saw the light,
And the burden of my heart rolled away,
It was there by faith I received my sight,
And now I am happy all the day!
But drops of grief can ne'er repay
The debt of love I owe;
Here, Lord, I give myself away,
'Tis all that I can do!
As you read these words, make your confession,
leave your burden at the cross, and you,
too, can know the peace that Christ can
give.